One tweet. That's how it all started. And I knew I'd never teach the same way again. When Mrs. G. asked me to teach my book trailer unit to her sixth graders, I jumped at the chance, but with a caveat: I wasn't going to teach it the same way I had in the past. And I literally meant that: I wasn't going to teach it, but I would very happily guide, encourage, and coach it. (Thank goodness for forward-thinking teachers like Mrs. G. She didn't once flinch, frown, or freak out, but instead encouraged my request to simply try differently.) A few months before this, I'd read an online post by Chris Friend about the importance of letting students take the lead in their learning: A class discussion where the teacher pre-determines the outcome is just a lecture in disguise, dressed up to feel student-centered while still being instructor-directed. When a class involves discussion, we owe it to our students to not know what’s going to happen, lest we start dictating what we want them to think. A class discussion where the teacher pre-determines the outcome is just a lecture in disguise, dressed up to feel student-centered while still being instructor-directed. When a class involves discussion, we owe it to our students to not know what’s going to happen, lest we start dictating what we want them to think. While Friend's comments are specific to classroom discussions, they certainly apply to the larger picture of learning in the 21st century, and I'd been waiting for the right moment (and a willing teacher) to embrace the philosophy of student-centered and "teacher-bordered" learning. Nylen's post in my Twitter feed came at the exact same time I proposed my plan of hanging on the sidelines instead of calling the plays. (There are no coincidences.) DAY ONE I project Nylen's Tweet to the students. They read it, then look to me to explain it to them. I smile at them. They look to Mrs. G. to explain away the crazy lady smiling at them. Mrs. G. smiles at them. They smile back nervously, scanning the room for hidden cameras. This has to be a joke, right? I finally break the awkward science by asking, "Is this true? Do you need Mrs. G. and me? What if we don't tell you what to do? What if we just let you find the answers for yourself?" They look, admittedly, a little afraid. And why shouldn't they? Everything to this point in their academic career has been mostly teacher-directed. "How many of you play Minecraft?" I continue. Half the hands shoot up. "Cool," I remark. "So, which one of your teachers taught you how to play it?" And that's the moment it clicks for everybody. Now they're smiling at me. DAY TWO The work begins. The project is outlined, tutorial videos and useful links are posted to Edmodo for reference, but no lectures are given. "Ask 3 Before Me, " we say. "Troubleshoot. Use the help section in iMovie. Google your questions. Try, mess up, try again." They're a little frustrated, for sure, but here's the thing: I tell them that I really don't know iMovie all that well. (A lie, but Mrs. G. and I want them to go cold turkey on their teacher dependence.) "Wait...WHAT?" a student indignantly cries. "Then why are you teaching us this?" "But I'm not teaching it to you," I tease. "Remember?" DAY THREE At the beginning of class, I find myself falling into to the comfortable and involuntarily role of lecturing. (Habits are hard to break.) Ashley interrupts, "Hey, Ms. D. . .can we get started please? We can figure it out." I literally laugh out loud. And keep a list of what I overhear students asking each other and commenting upon during the next hour. DAYS FOUR, FIVE, SIX, SEVEN, AND EIGHT
I've never managed less and accomplished more as a teacher. It's weird, in a way, not dashing all over the lab putting out individual fires. And here's what happens, as a result of my letting go: Some students naturally take on coaching roles with each other; some become experts at specific things (transitions, adding sound effects); some even become critics of each others' book trailers, giving very constructive advice (you know, the kind a teacher might offer). I don't feel like they don't need me, because of course they still do, and of course I still help. But. . . They've learned to rely on themselves and on each other. As a parent and as an instructional coach, that's always my end goal. And yet, it never was when I was a full-time teacher. My students and I had developed a co-dependent relationship where they looked to me for all the answers and I happily supplied them. When we finish the project (and before we start planning our film festival!) I project Nylen's tweet again. "Do you agree?" I ask. "Did this experiment work? Did Mrs. G. and I give you answers or did you find them for yourselves? And are you a better learner because of it?" Logan raises his hand, and in that brief moment I experience a fleeting panic, hoping he won't prove me wrong. I notice I'm holding my breath. "So when do we get to 'support' you learning how to play Minecraft?" he asks with a self-satisfied laugh. I breathe and laugh, too. "Whenever you're ready. As long as you don't teach me."
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![]() I'm that person who arrives early at the theater to catch the coming attractions. Sometimes I become so riveted by the movie trailers that I forgot what I paid to see in the first place! It's this peculiarity of mine that's the inspiration behind what was today's highly-anticipated Book Trailer Film Festival with my 8th graders. After many weeks of researching, compiling, and creating, we had our very own premiere, where we viewed (and peer reviewed) the trailers. Book trailers are gaining in popularity as an alternative to the stale and often overused book report. Last year, my son's language arts teacher--who was as weary of grading book reports as her students were writing them--opted to give book trailers a try with her 7th graders, even though she'd never done anything like it herself and had certainly never taught the process before. (I admire her bravery to "let go and let the digital natives" go exploring on their own!) In short, the kids were thrilled. Ecstatic. Engaged. Excited. And their individual creativity was pleasantly surprising. If creating is now the highest-ranking domain of Bloom's Revised Taxonomy, then we as teachers need to allow more opportunities for doing just that. Furthermore, we should also take into consideration when devising formal assessments the authentic audience. For example, the book report's audience is an audience of one--the teacher. On the other hand, the book trailer's audience includes students within the classroom, within the school, and across the globe. (Thanks, YouTube!) More importantly, I believe, project-based formal assessments like this create enthusiasm in and ownership of learning--and isn't that what we as teachers most desire of our students? Finally, book trailers are a simple yet effective way to merge 21st century learning and the Common Core reading standards for literature & informational text; writing standards; speaking & listening standards; and language standards. So how do you get started? (1) Establish a clear schedule with a step-by-step process for creating the trailer. Here's a useful image that does the scheduling for you. (2) Determine which software you want to use. I'm blessed to have a computer lab of Macs, so we used iMovie. However, I also provided students a list of cloud-based video options, such as Narrable, UTellStory, and PresentMe. PowerPoint is always a low-tech option, too, (3) Visit Book Trailers for Readers to show your students examples of what good trailers include. (4) Have students create a storyboard. I used this example and this template from the Highland Virtual Learning Center's book trailer unit. I also discovered some cloud-based storyboard making apps on my own: Padlet, Lino, Storyboard Generator, & Storyboard That and encouraged students to try them. (5) Explain Creative Commons and how to gather copyright-free images. Students were directed to use Creative Commons, Wikimedia Commons, and this link to collect images. Students were permitted to use Google images, but only if they followed these explicit instructions. (6) Direct students to cite images. We used BibMe to keep track of our images in separate Word documents that were copied and pasted at the end of the trailers. (7) Explain the use of a soundtrack to establish mood, and direct students to use Creative Commons to find copyright-free music. (8) Create a rubric and a peer review rubric. (Thanks, again, HVLC!) (9) Create a YouTube account or a SchoolTube account to upload and share the students' trailers. (10) Roll out the red carpet, pop the popcorn, and host your own Book Trailer Film Festival! ---------------------------------------------------------------------------------------------- The Two Most Valuable Links I Used to Create This Unit:
Stephanie DeMicheleLearning Designer. Instructional Coach. Trainer. Working my hardest to create Teacher-Bordered Classrooms. Categories
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